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slitherpuffinstories · 3 months ago

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drarry microfic (set in eighth year) ~ mixed signals

”You came.”

“I did.”

There’s a disturbance in the air, and the head and torso of Harry Potter appears right in front of him. Draco shakes his head in disbelief, doesn’t dare to let his own gaze linger at the other boy for too long. Harry’s wrists are exposed due to his sweater being one or two sizes too small, the moonlight shining through the window of the Astronomy Tower making his toned skin look almost pale. Somehow the sweater still looks baggy on him, making his wrists seem smaller than they are. Draco’s breath hitches when Harry awkwardly runs a hand over his neck and his sweater rides up, exposing a little bit of skin above his waistline.

Draco turns his attention to the floor.

“You fucking idiot. You absolute moron.”

“I’m sorry.”

“Oh, for Merlin’s- don’t be, Harry. Fuck. You’re just so stupid.”

“Thank you?” Harry laughs softly, and it sends a shiver down Draco’s spine. The familiarity of that laugh forces him to look back up, and he watches Harry carefully. Harry doesn’t hide the fact that he’s staring, too.

“You’re sending rather mixed signals, you know”, he says after a beat of silence, and Draco blinks stupidly.

“Says you”, he scoffs, and the way his voice breaks at the end might be what gives him away. Or perhaps Harry has memorised his every facial expression these last months, like how Draco knows Harry’s every frown, every smile, every laugh. What matters isn’t what gives him away. What matters is that Harry is approaching him. Slowly and carefully. Merlin knows how much Draco needs him not to be careful right now. He needs the Harry he knows.

“Says me.” Harry’s smile is unbelievably soft. Draco had no idea that a smile could break down within him what no insults or curses could. Who would have known that someone doesn’t have to be harsh and cruel to make Draco Malfoy feel things? Experience these odd little things called feelings?

“You can’t talk about mixed signals, Harry James Potter”, he says, his voice fragile enough to barely carry but strong enough not to break. That bloody beautiful name leaves his lips in a voice quiet enough to be silenced by his exhale, and his lips tremble before being pressed together. But he can’t stop the words now, and they force themselves out of his mouth like Harry keeps forcing himself back into Draco’s life time and time again. “I told you we’re done, didn’t I? I thought I made it pretty clear. Yet you’re here, stubborn as always, you git! What makes you think that our relationship is cancelled but our stargazing date is not?”

“You never said it was cancelled, love.”

“Don’t call me that.”

“Oh, but I love seeing you flustered whenever I call you that, Draco. Look at you. Now who’s the one giving mixed signals? You can’t tell me I’m a git and that we’re done while blushing like crazy and refusing to look at me.”

“I can, and I did.”

“Hm. Cute.” Harry takes another step forward and lets his invisibility cloak fall to the floor. It’s draped over his shoes, making them vanish and creating the illusion that he’s floating a few inches above the floor. Draco feels like he is floating. He must be floating. Maybe the breakup did kill him, and that wasn’t just him imagining things, and now he’s a ghost doomed to haunt this very tower forever. The tower where he broke up with Harry beneath the stars. The tower where Harry is now back, where they’re both together again, and Harry is staring at him with stars in his eyes. That shine makes up for the lack of stars outside, and Draco doesn’t regret coming up here one bit, even though it’s cloudy and cold.

“Harry.”

“No, I didn’t come up here in a foolish attempt to win you back, Draco. I didn’t think you’d be here. After all, you broke up with me. I didn’t think there’d still be a date.”

“This isn’t a date.”

“Then what are you doing here?”

Draco can’t help but stare at the matte black mess that is Harry’s hair after he has just woken up. “The same as you, probably. Except I didn’t manage to fall asleep no matter how hard I tried, and you seem to have gotten at least a few minutes of sleep before you decided to take a late night stroll up here.”

Harry doesn’t ask him how he knows it, just nods gravelly. “I dreamt of you.”

“Hm. Cute.”

“Not quite, actually. I think I prefer the real version of you over dream-Draco. He’s quite cruel, you know. Not very cute when the person you love is yelling at you, telling you that you’re worthless and a fool for falling for him.”

“I’m sorry.”

There’s silence, and then Harry snorts. “Are you seriously apologising for your actions in my dreams right now, Draco?”

He blushes furiously and looks away. “Yeah. Sorry.”

“You fucking idiot. You absolute fucking mess of a person.”

And before Draco can process what’s going on, he’s being pulled into a tight hug. With his face full of unbrushed, black curls and a fist full of Gryffindor sweater, Draco can finally relax for the first time in days.

When they part many minutes later, the first thing Draco does is wipe the stupid tears out of his face with his sleeve, and he clears his throat awkwardly.

“Sorry.”

“It’s okay, Draco.”

Once again the words come tumbling out of his mouth. “But what if it isn’t? What if dream-Draco was right, and you’re a fool for dreaming of me and wanting to be with me, and I’m a fool for wanting you? What if I am a fucking idiot? What if this—“ He gestures at his puffy eyes and tear-streaked cheeks. “— is who I am? And what if real Draco is out to hurt you? Without even knowing it. What if I hurt you, hurt you by breaking up with you again of fear of hurting you, and what if I just aren’t good enough for you or right for you and what if—“

“How about I just cut you off right there?” Harry manages to put an end to the stream of words with one look. “There. Now that you’re done talking nonsense — because you are done, I hope? — what do you think about the two of us finally making that stargazing date happen? Like, right now?”

Draco can’t believe what he’s hearing. “Potter, did you even listen to anything I just said?”

“Indeed I did, and I came to the conclusion that it was all utter bullshit. I’m not saying your feelings are though, and we’re going to have to have a talk about all of that. But not right now. You’ll feel better after we do something else, something fun to get your mind off of the bullshit! Trust me!” Harry beams at him before taking Draco’s hand in his. “Stargazing it is!”

“Potter, there are no stars to gaze at.”

“What? Oh. Yeah, you seem to be right about that. Blimey. Well, Astronomy Tower and all, I guess that leaves us with one option then.” Draco can’t help but huff something that could be a laugh at the way Harry wiggles his eyebrows at him.

“Remind me again when and why I fell in love with you and your weirdness.”

“Remind me again if you’ve ever outright told me that you love me before?”

“I, er, I don’t think so. Sorry, I didn’t mean to—“

“Well, you can’t take it back now! This means you’re stuck with me forever, there is no escape!”

“Oh, the horror.”

~ the end ~

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voidpacifist · 6 months ago

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potter-verse headcanons that I choose to view as canon bc fuck jkr <3

*I redid these bc james' lineage was pointed out to me in a previous comment and I don't wanna disregard it so I tweaked a few things to keep it true to the lore while also spiting the terf

this will be very long btw

starting with the marauders era (sorry this is basically an essay now)

adding onto that, I just would love to see his inner conflicts and hopes and ambitions and dialogue more flushed out, because I really don't think him being rejected by an old flame is at all cause enough for him to suddenly just hate children. even his rivalry and bullying with/from james doesn't feel like the push that comes to shove idk

severus snape is not an abusive man. in my opinion, the way that he's written makes him seem like a very cause to effect character without much complexity to him other than that he was in love with lily evans. in my mind, he's lily's closest friend and defender for most of their growing up together at hogwarts, especially after he begins unlearning blood purist ideologies. he tries to protect her from james potter, who's antagonistic of blood purists by nature, and also a massive troublemaker. thinking it will get lily hurt is what ultimately fuels his hatred of james (that and the fact that james is just kind of a dick to him the whole time they're at school together)

an earlier commenter pointed out to me that james' grandfather invented fleamont's hair potion, so the inheritance of that success would make james' family quite well off. and while he grows up with a very good home life and very loving parents, I imagine james also feels quite stifled sometimes, being that he's an only child with a lot of room in his house and a lot of legacy to carry. it's not like he has a complex about it, but he's sort of a steve harrington-esque kind of character. he's not a complete asshat, but he does experience a lot of growing pains and contentions to his worldview on multiple levels when he first becomes acquainted with lily and severus, and even when he first meets the other marauders. it adds a lot more interest than just making him the charming class clown, and james being desi adds another layer of complexity to him too. (I'm quite curious about how desi metaphysics are practiced, and how that would be a shift for him going from eleven years of his own household magic to hogwarts magic)

adding onto that, it's why he and sirius become such fast friends - sirius feels estranged from his own family, and james' only family are his parents and grandparents. they're closer than sirius and his own brother are. this does certainly make things strange and angsty when regulus takes an admiration to james that sirius notices, when sirius himself is constantly being compared to his more "ideal wizard archetype" younger brother his entire life

in fact, regulus' admiration of james starts as more of a scientific sort of reverence - he wants to understand how a pure blood can be so defiant of the ideas that suggest he's more worthy of practicing wizardry, let alone a pure blood who has come from so much. he learns quite a lot about james through sirius, and when he actually meets him for the first time, he's nothing like the troublemaker prince charming that everyone expects him to be. it's the first time reg experiences real endearment to someone who isn't in his own family, and even that kind of love is conditional at best (shout-out to walburga and orion black for their a-plus parenting)

it makes it that much more painful when he sees that james, while kinder and more considerate than he seemed at first, only thinks of him as sirius'-younger-brother-who-isn't-actually-that-terrible-perhaps; when he sees that james only has room in his heart for lily evans, who by black family standards isn't worthy to have any knowledge of the magical world, let alone belong in it. and he's trying to be better and to understand, but even the kindest blood purists are still blood purists, and it will take him years after this heartbreak to rectify that mindset - even as he's defying voldemort himself

lily grows up in scotland, and while her parents love her and petunia very much, they're constantly fighting. she and tuney often spend time together, and when lily's magical talents start to emerge, she at first asks her big sister, her protector, her closest friend, to keep this secret from their parents. so imagine the heartbreak when lily's owl comes in the mail, and instead of the magical announcement being a complication for their parents, the evans' are overjoyed. imagine the betrayal that petunia feels when, after years of borderline neglect to the both of them, lily leans into the praise and attention she's now receiving. and she tries to make it up to tuney - she even grows a flower in her own hand hoping to make peace with her only real role model in life, only to have it shut down by being called a freak. things only get worse as tuney is left at home with quarreling parents while lily gets the privilege of being away from all of it. the number of letters she sends to dumbledore begging to learn magic, then simply begging to see her little sister more than just during christmas, should be enough to convince the old man to have some leniency, but dumbledore doesn't

now let's talk about peter pettigrew. we all blame him for the downfall of james and lily that kicks off the tragedy of harry's childhood, which we should. but the why of it feels important to me, so personally, this is how I see his psyche playing a role: what if he grows up in a religious household? now I know how that sounds, but hear me out. peter grows up in a religious family because his parents carry some sort of shame surrounding their magical lineage. maybe it's because their squibs, maybe it's because of other trauma from being discovered by muggles, etc. regardless, he grows up discouraged from using his magic, but instead of suppressing it and developing an obscurus, he learns how to hide it. he practices his abilities in secret, until he's a very good liar with the worst case of people pleasing. so when his owl comes with his hogwarts letter, his parents are less than happy about it. he's sent to live with his aunt when he's not at school. in the meantime, he hides as much as he can about his family from the marauders. remus has his lycanthropy to worry about, and sirius already has an even rockier home life to begin with. so it's no wonder that peter latches onto james - ironically, james becomes a secret keeper of sorts for him. but peter is never close to him the way sirius is, or even remus. he's forgotten by his friends, disregarded by his parents, and written off as soft and submissive by his other peers and even the teachers. it makes him all the more suggestible when he's sought out by voldemort, who promises him a place of belonging, which is all that he's ever wanted since he was a child. he's hidden things from the people closest to him once before, so he can do it again, right?

until of course, voldemort actually physically manipulates him with an imperius curse. and all it takes is one curse for the dark lord to convince peter that his friends can never take him back, not when he's killed and maimed and cursed and destroyed lives as much as he has. "not when you're my most trusted servant, wormtail." in short, peter pettigrew is and always will be remembered as a coward. but before he was a coward, he was in pain. and voldemort used that pain to turn him against his only friends before his only friends could turn on him

speaking of other death eaters, let's talk about regulus again for a moment. in an audience-sparing plot, regulus lives. in an angst driven plot, regulus drowns. so for the sake of compromising realism for emotional lenience, let's say nobody actually knows what happens to him. there's all kinds of rumors about the missing black brother, but the truth is that regulus doesn't drown. he's badly hurt in his attempt to destroy the locket, because not only is that thing messing with him psychologically, it's also a pain in the ass to try and get rid of. brutally injured and looking for a place to hide, he enchants a supply cabinet in a muggle cafe to expand into his own flat, which looks to non-magic users like any old closet, even if they try to open it. kreacher is left the locket along with regulus' note, because he doesn't want to be found (great opportunity for him to make a sneaky little appearance in the first half of the deathly hallows though, when the golden trio are debriefing in a muggle cafe...)

remus grows up in a really good home, but like james, he feels a sort of isolation. not because of his class status but because of his condition. as his body begins to mature in his teenage years, his lycanthropy also "matures," taking a bigger and bigger toll on his body until by the time his third year starts at hogwarts (between growth spurts and growing pains and the intensity of his transitions), he can't walk without using a cane. he's pretty sickly as a child anyway to begin with, so more often than not, he spends a lot of time in his bed in the gryffindor common room. this means when a lot of the pranking and troublemaking is happening, he's either in the background unable to do much more than try and dissuade his friends, or he isn't there at all. it isn't until a little way into his fourth year that he begins actively participating in marauders shenanigans, including helping with the construction of the map. I imagine he and sirius both have feelings for one another during this time, but these feelings cannot or do not go acknowledged until the later years (like, year six or seven)

when it comes time to meet sirius' family, sirius has already been disowned by his birth parents and is extremely distant from his brother and cousins. all of course, except for his cousin andromeda, who reaches out to him after the news of his erasure from the family tree makes it to her. this is actually how remus meets tonks in my mind - because during the whole "meet the parents" thing, he meets ted, his wife, and their daughter nymphadora

that's all I've got for now from the marauders era but the golden trio era is a whole different ballgame (and probably way longer sorry in advance)

let's start with harry. petunia is not near as strict with him as vernon is, but they're both abusive to him in ways that are physical and psychological. dudley, of course, is given everything by his parents to the point of spoiling, while harry is forced to feed off of the leftovers. and while he definitely inherits his father's "fuck around and find out" personality, he's a lot less likely to fuck around with the dursleys. in fact, he's much more quiet until he gets to hogwarts and blossoms. I also think his scar is much more noticeable and does much more alteration to his face. because it's the aftermath of the killing curse, it makes him much more likely to die just from a physical standpoint than from simply a plot device standpoint. voldemort is obsessed with killing him, and incidentally, he's a very easy person to kill

however, this doesn't make harry a weak wizard by any means. his magic is incredibly powerful and he's incredibly cunning with it. it's why the hat finds it equally appropriate to sort him into slytherin, other than the obvious connection that he and voldemort share. but this does mean that other people's perceptions of him are that he is weaker. draco thinks he can easily manipulate him. ron underestimates his understanding of the wizarding world and how to defend himself. hermione even has her moments, though hers are more a concern for his well-being as a target of all sorts of evil wizardry. even still, it's a shock and a half to go from being consistently neglected and abused to being coddled and handled with kid gloves all the time. it's no wonder his "fuck around and find out" attitude we see in the books and films also comes to life due to the way he's being mistreated - whether that's with good or ill intent

ron is not only his first friend, but also the first person harry is formally introduced to. he's harry's gateway to what the wizarding world looks like outside of school. of course, molly weasley immediately decides this makes harry her son as well as ron, and it's nice for ron to have a brother his own age. but as the youngest son in a family of seven kids, with one of the honorary offspring being famous in the wizarding world, it's easy for him to get swept up in the idea that he's the afterthought of his friends and family. as a result, he tries emulating harry's attitude towards the world, but whereas harry's is built up by his upbringing and those around him, ron's is built up out of spite. it creates resentment when they're horcrux hunting together, because ron not only hates that harry is refusing to be taken care of - he also hates that nobody's taking care of him

it's why I think he and luna lovegood make an excellent pair. luna is an uncommonly kind person by nature, and we already know in the books that she takes a shine to ron. I wish we'd seen more of them in canon, so it's my personal philosophy that they should have been together instead of ron and hermione. luna really softens the resentment in ron, because she takes so much in stride that it sort of rubs off on him. and ron brings out something very protective and fiery in her. if she weren't a ravenclaw, she'd make an excellent gryffindor, though honestly she's such a multitudinous character already that she'd do swimmingly in almost any house, in my opinion

more on luna: she and hermione were actually quite close as first years, but grew apart because while luna was accepted for her neurodivergence, hermione was singled out. there's not much difference between the two of them other than the two factors that luna doesn't mask her traits, and is a pureblood. at the time that they're both eleven, I imagine eleven-year-old blood purist logic would muddy a friendship rather quickly, especially when you're trying to seek acceptance from your peers. this isn't to say that luna is a cruel person by any means - it's just that hermione has to work harder for her fitting-in-ness. naturally, being in different houses and different circles of peers along with all the other factors, they grow apart. four years after they've met, luna is simply "looney lovegood" to hermione

hermione's parents are very eager muggles to integrate hermione into the wizarding world. the two of them meet in college, when both take an interest in metaphysical studies and the history of witches and witchcraft. though it starts as a scientific fascination, hermione's father turns out to be a rather superstitious man in the first place. when their daughter receives her owl, both of them are overjoyed at the possibility of there being a world where their fascination with magic and the occult is real. the only reason they both go into dentistry (and together at the same office, no less) is because they're ridiculously in love with one another and want hermione to have a stable childhood

snape ends up being a very protective teacher over harry. the reason he hides it is because he knows dumbledore is on the hunt for power and control, however much the man tries to disguise it as working for the greater good. the headmaster simply believes harry is the perfect conduit to attain those things, and rather than view him as a threat, dumbledore views him as a tool. snape is desperate not to see harry become a pawn, the way he did, but he also sees so much of james in him that it's hard for him to reconcile any outward respect for him. this makes snape a very cold man for harry to cross (and he's already cold enough for several other reasons), but in my personal opinion, it does his character a disservice to make him outright abusive. he's dismissive and intense and extremely aloof, but never does he use it to punish harry himself. snape's only seen as a shifty, mean person by harry because of how similar he is to petunia and her dismissal of harry at home so by god do those trust issues jump out between these two. it's by no means a father + son dynamic, but it's certainly a begrudging guardian + clueless guardee dynamic, if that makes sense

in fact, when snape realizes draco is also dealing with abuse in the home, he makes it a goal of his to do what he can to make sure their time in his class is as easy as possible. of course, true to severus snape fashion, he does this in such a way that it seems like he's going to single them out when in reality, he's only breeding an environment where draco and harry start having a tentative, mutual respect for one another. this is at first very confusing for hermione and ron, as well as draco's circle of friends. but these two are nothing if not stubborn, which means cycle breaking is what they're destined for

this paves the way for draco and hermione to be in each other's circles. mutually indifferent to one another at best. detestable to one another at worst. very much enemies to lovers, until hermione bests draco in a dueling practice and draco gains some respect for her. he learns that she is a very well schooled person when it comes to traditional witch traditions and rituals; that she recognizes the holidays that christmas and halloween are bastardizations of; that she does in fact "respect her betters," because she respects her magic as the sacred gift that it is. at that point, does it become allies to lovers. and when the second wizarding war rolls around, he does everything he can within his power to play the roll of double agent. snape becomes his mentor in that regard in more ways than one (he has to kill dumbledore and he has to outsmart voldemort, homeboy is stressing)

hey speaking of pairings, the only original pairing that I tend to keep the same within the golden trio is ginny and harry. it is the sole good pairing that jkr brought to the table. I still have a few notes on it — I just wish there was more development with them. I wish there was more canonical tension than "brother's famous best friend," because while ginny is a wonderful character on her own, she doesn't seem the type to be besotted by someone because of their fame. in fact, an enemies to lovers hinny would almost make more sense to me. they're both incredibly stubborn, it's a wonder they don't butt heads more during canon events, with the fact in mind that ginny is quite soft spoken around him. she's very do-no-harm-take-no-shit, and I wish we saw more of that in their interactions. in my head, their pipeline is as follows: younger sister figure -> academic rival/enemy -> allies during the order era -> confidants -> lovers. if this makes sense. I know it's similar to the canon pipeline for them but please I need tension I need depth I need conflict

I also have got to talk about cho because first of all, what the fuck kind of name is "cho chang" for the only visibly asian character in a franchise? said it once and I'll say it again: fuck jkr. she didn't put thought or depth into this character even one bit other than making her ditsy and boy-obsessed and I hate that shit! with all my heart! in fact, all of the POC women in this series she writes specifically to be obsessed with harry, and that makes my blood absolutely evaporate because they could be so much more than one dimensional figures. I digress

as I see it, "cho chang" isn't her real name at all. it's chao-xing zhang, and the first name means morning star. she hails from a family where her father is chinese and her mother is irish. if I had to give her a middle name, it would be siobhan. she grows up with strong roots in both her irish and chinese heritage, and she's the pride of her family, since she's the only child her parents are able to have. when she arrives at hogwarts, she is quite shy and reserved. but she's brilliant, so of course she's in ravenclaw. but it's in an atypical sense that she is brilliant, not in the I-come-fom-an-asian-family-so-I'm-clever kind of way (I think giving her the gift of clairvoyance would add a really good layer to her arc). she tries to fight off visions of harry potter dying, but she cannot shake them, so instead she vows to fight with him, especially after voldemort kills the first person to show her love and affection for who she is, not for the "cho chang" that her peers think she is. it's only natural for her to take a shine to harry when he's the one who saw cedric diggory murdered

while we're on the topic of horseshit naming, parvati and padma aren't called parvati and padma in my personal mindscape of the potter-verse. they're instead named drisana and salena, meaning "daughter of the sun" and "moon" respectively. not only are they fraternal twins, they also have entirely separate personalities and magical gifts. they're as different as the sun and moon are different, but they also both reflect each other's gifts quite well, just like how the full moon is an expression of both itself and the light of the sun. of course they're both enamored by the boy who lived and his best mate, and of course they say yes to them when they need dates for the yule ball. but to say either of them are actually in love with or interested in either of the boys isn't true by a long shot - salena much prefers her own company and drisana has been eyeing the pretty ravenclaw, chao-xing, for as long as she can remember (I also think they would take harry under their wing and help him reconnect with his desi culture because I can't imagine being raised by the dursleys gave him too much opportunity for that tbh)

now onto more world-buildy types of things

in fact, I'd say the only stereotypical twins at hogwarts are fred and george, and even then they only play into it for the bit. they think it's wildly funny to confuse anyone who doesn't know them well enough to tell them apart, which is a very small number of people (I mean come on, even their own mother doesn't always manage to tell them apart). one of them is probably just a little bit fruity, and the other one is either none the wiser or not the least bit surprised. they pretend like they're carefree people, but they both feel the pull of the war on their morale, even before the war truly sets in motion with the death of dumbledore. they don't have any older sibling figures present as far as we read until bill becomes part of the plot, but I like to think he and charlie are the ones they go to when they're needing someone to talk to about the state of the world. even then, they have to be careful about it in their correspondences.

and while I like to think that molly and arthur are all very present in the lives of their children, I also believe that arthur's work in the ministry keeps him quite busy, and molly can't always be there for each individual child without totally burning herself out. long story short, the weasleys are there for one another as much as they can be, but mainly as a whole. and of course, every weasley brother would level london for ginny if the need arose for it, since she gets little sister treatment (as she should, we love her for it)

it is in my humble opinion that each house has some elemental magic attached to it. some of these are more obvious, for instance, gryffindor would likely have many ties to fire magic, whereas with hufflepuff's patron being the badger, they'd have many ties to earth magic. ravenclaw and slytherin were a little bit harder for me to parse out, but a raven for me would signify air/weather magic while a reptilian, cold blooded patron would be symbolic to water. and while of course, any magical student can have a proclivity for any element of the four, many gryffindors will have a higher aptitude for fire magic. it's why (in my opinion) seamus finnegan is so talented with pyrotechnics in the first place - it's no accident that gryffindor is where he was sorted with that level of fire magic

so then, liv, how does that explain dumbledore's weird water orb and voldemort's fire serpent featured in the order of the phoenix film? actually that's a quite easy answer - remember how I said not every gryffindor has fire magic tendencies? this is actually referenced with neville longbottom's talent for herbology. if anything, he's more inclined to work with earth magic. we don't see a lot of deviating from house elements at all in canon, but aside from the main main characters, jkr also doesn't divulge much on it to begin with. even then, neville still has the inner fire of a gryffindor. and even though voldemort's raw magic takes the form of a serpent on fire, we see his former self most comfortable with the basilisk, who lives in the dank underbelly of the hogwarts plumbing. water snakes, anybody? dumbledore's is a little trickier to explain, but I do think in his conquest to be more powerful than voldemort, he also ended up mastering all four elements. he does certainly favor fire though, considering his animal companion is a phoenix, and his raw magic is displayed with fire in the half blood prince film during the sea cave scene

beyond the elements and patrons of each house, there's also astrology, runes, divination, etc. basically magic that isn't necessarily assigned to an element, but the elements can be present in each practice. for instance, astrology is a very planetary practice, and it relies on the position of the earth itself in relation to the stars and other celestial bodies (or vice versa). the moon oversees the tides (water), the sun provides warmth (fire) as well as nurtures greenery and living things (earth). all three interacting in different manners affects the weather (air). runes can be written or carved anywhere, but are best written either with something fluid like water and inked, or etched into a solid surface such as wood or stone. divination, particularly scrying, is best done with a reflective surface, however tea reading involves some herbology when it comes to making the tea itself. I digress, the point is, different aptitudes mean some students will have a higher proclivity for one practice than another outside of their "inner element" or which element works best with them (also jkr why didn't you include something for the crystal girlies?? for the fellas who love the pretty rocks???)

onto the topic we all love (said sarcastically) the most: wizard racism. rowling really thought she could paint a complex narrative about blood purity and the differences thereof when her own writing is inherently racist? miss me with that horseshit, anyway here's my personal take on the whole blood purity smorgasbord:

the only difference between muggleborns and regular old muggles is that some have the aptitude and skill for harnessing magic, and some don't. I don't actually know the science behind it. maybe the stars aligned just right. maybe it's a distant genetic thing. regardless, muggles have a very whimsical view of magic itself. we have our holidays like christmas and halloween and easter, and our cutesy packagings of the aesthetic for each holiday. but the holidays that they originate from, such as yule and samhain, have been celebrated by pagans and witches long before this christ-ifying of them, and even longer before making them palatable to a consumer culture. meaning it is real culture that has been taken and warped and accepted by society as normal, when it doesn't credit the original practicers in the first place

and considering the salem witch trials and other witch hunts (some of which are still happening in places around the globe, mind you), it's no wonder that, taking the canon of harry potter into consideration, purebloods (in this case, those from pagan families who have kept the practices for hundreds of generations and have only married within magical bloodlines) are at least mistrusting of muggleborns. does it excuse the blatant mistreatment and alienation of muggleborn witches and wizards? absolutely not. does it at least explain the disparity? yes it does

it gives salazar slytherins perspective of only allowing purebloods into his house an entirely new layer as to why. if only he didn't go about hatching an ancient bloodthirsty beast to hunt down the muggleborn students!

it does also add a very archaic level to slytherin house culture, though - they're not only the most cunning house (and most misunderstood), they're also the most observant of traditional paganism. dumbledore is so dead set on the belief that slytherin breeds evil wizards and witches, however, that his favoritism to his patron house (which happens to have the opposite mascot and element, mind you) creates an environment where slytherins are either feared or outright disrespected by the other houses. here's a hot take: dark and light magic can exist within the same space and still not have any moral attachment to them. crazy, innit

which means that not only is dumbledore a more "accepting" headmaster of muggleborns - they too, are a means to an end in this vendetta he has against tom riddle; a vendetta he's had against a child since he realized this child (who mind you, was already isolated as an orphan and a wizard growing up surrounded by muggles) was the heir of slytherin. and while yes, this made him a threat to the safety of muggleborn students, dumbledore also ensured the creation of the thing that which he vowed to overthrow. his mission in life as a wizard with great power and responsibility was a self fulfilling prophecy

(enough said about albus dumbledore. I hate that man. no wonder jkr paints him as such a hero figure in the series though like damn)

more world building! I think it should be canon that a modified obliviate spell exists so that trans witches and wizards can erase the memory of a dead name from the minds of anyone who isn't them. use this headcanon how you must, it may be the biggest fuck you to the author I could come up with <3

phew! that was a mouthful, but on that note, those are all my thoughts/headcanons/other things that I've conjured so far. some of them may be based off of headcanons I've already seen (like, we've all basically confirmed james is desi at this point), but I did wanna drive a little deeper into those existing ones as well as add thoughts of my own. I am planning on using most if not all of these to write my own rendition of the potter-verse canon, but feel free to use any of them you see in here! I'd love to invite more dialogue, particularly about more thoughtful name changes (like seriously if y'all have anymore suggestions on that front please send them to me, I don't want to be totally ignorant or off base so any feedback is super appreciated)

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